There was something magical, almost religious.”ĭenniz Pop didn’t fall into music the traditional way. “He was just a music producer, but he had some sort of effect on people.
“He just put together a bunch of people who really had nothing to do with each other, and he created this band of brothers,” says songwriter Andreas Carlsson, one of Pop’s disciples. His legacy was to turn Sweden in to a global musical superpower, an unstoppable melodic machine churning out the most successful songwriters of his – and almost every other – generation.
Dagge loved pop music so much he even changed his name – to Denniz Pop. Our modern understanding of pop was the brainchild of one man – a blonde mulleted DJ from Stockholm called Dagge Volle. Inside Beijing’s underground rock scene Eight ideas that changed the history of Western music This mysterious sound was a rigid formula of melodic minimalism, epic hooks and drops, melancholy, euphoria and mathematical algorithms. But by the turn of the millennium, the pop that dominated our charts hailed from a cold, dark corner of northern Europe called Sweden. It was an era when the very definition of ‘pop’ went from being a mere abbreviation of the word ‘popular’ to a precise musical theory.Įver since Elvis Presley first shook his hips, pop has been the sound of teenage bedrooms, school discos and Saturday morning television. Forget rave, grunge and garage – if you were a teenager growing up in the 1990s, the real revolution in music happened in pop.
0 kommentar(er)
